India and women Essay

INDIA and WOMEN Women empowerment is a moot subject. At earlier times, women got unprejudiced status with men. But the post-Vedic time was a difficult period when many were treated as slaves, a commodity earned by the man, a mode of produce kids. From the early twentieth century (national movement) their statuses have been slowly and gradually undergone changes. In this regard, we may mention the name of the English people. After then, independence of India, the constitutional makers and national leaders strongly emphasized on equal social position of women with men. Today, we have seen the women occupying the respectable positions in all walks of the sphere. Yet, they are not absolutely free from discrimination and harassment of the society. A few number of women have been able to establish their potentialities. Therefore, each and every one should be careful to promote the status of women. Women constitute approximately 50% of the world’s population, but India has shown disproportionate sex ratio whereby female’s population has been comparatively less than that of males. As far as their social status is concerned, they are not treated as equal to men in all the places. In the Western societies, the women have got equal right and status with men in all walks of life. But gender disabilities and discriminations are found in India even today. The paradoxical situation is such that, she is sometimes portrayed as a Goddess and at other times merely as slave. It is now that the women in India enjoy a solitary status of equality with the men as per constitutional and legal provision. But the Indian women have come a long way to achieve the present positions. First, gender inequality in India can be traced back to the historic days of the sacred Sanskrit poem, Mahabharata, when Draupadi was put on the dice by her husband as a commodity. History is a witness that women were made to dance both in private and public places to please the men. Secondly, in Indian society, a female was always dependent on male members of the family until a few years ago. Thirdly, a female was not allowed to speak in a loud voice in the presence of elder members of her in-laws or move around without covering her head and in some cases, the face in the presence of other elder or male members of the family. In the family, every faults had gone to her and responsible. Fourth, as a widow her dependence on the male members of the family increased but that was better than performing ‘sati’ where the widow  was burned alive during the cremation of her dead husband. In many social activities, she was not permitted to meet with other members of the family. A woman whether a widow or not had very little share in political, social and economic life of the society and had to vote for the party the family supports, even if she had her views against it. The early twenty century was rise of the National Movement under the leadership of Mahatma Gandhi who was in favor of removing all the chains tied to a woman. At the same time, Raja Ram Mohan Rai, Iswar Chandra Vidyasagar and various other social reformers laid stress on women’s education, prevention of child marriage, withdrawals of evil practice of sati, removal of polygamy etc. The National Movement and various reform moveme nts paved the way for their liberations from the social evils and religious taboos. After independence of India, the constitution makers and the national leaders recognized the equal social position of women with men. The Hindu Marriage Act, 1955 has determined the age for marriage, provided for monogamy and guardianship of the mother and permitted the dissolution of marriage under specific circumstances. Under the Hindu Adoptions and Maintenance Act, 1956, an unmarried women, widow or divorce of sound mind can also take child in adoption. Similarly, the Dowry Prohibition Act of 1961 says that any person who gives, takes, or abets the giving or taking of dowry shall be punished with imprisonment, or fine or with both. The Constitution of India guarantees equality of sexes and in fact grants special favors to women. These can be found in three articles of the constitution. Article 14 says that the government shall not deny to any person equality before law or equal protection of the law. Article 15 declares that government shall not discriminate against any citizen on the ground of sex. Article 15 (3) makes a special provision enabling the state to make affirmative discriminations in favor of women . Article 42 directs the state to make provision for ensuring just and human conditions of work and maternity relief. Above all, the constitution regards a fundamental duty on every citizen through Articles 15 (A), (E) to renounce the practices derogatory to the dignity of women. The concept of empowerment flows from the power. It is vesting where it does not exist or exist inadequately. Empowerment of women would mean equipping women to be economically independent, self-reliant, have positive esteem to enable them to face any difficult situation and they should be able to participate in development  activities. The empowered women should be able to participate in the process of decision making. The government of India has ratified various international conventions and human rights instruments committing to secure equal rights to women. These are CEDAW (1993), the Mexico Plan of Action (1975), the Nairobi Forward Looking Strategies (!985), the Beijing Declaration as well as the platform for Action (1995) and other such instruments. The year of 2001 was observed as the year of women’s empowerment. During the year, a landmark document has been adopted, ‘ the National Policy for the empowerment of women.’ For the beneficiaries of the women, the government has been adopted different schemes and programs i.e. the National Credit Fund for Women (1993) , Food and Nutrition Board (FNB), Information and Mass Education (IMF) etc. But is all this actually working is what everyone wants to know. Are women actually empowered ? Or is all this only in papers and even in the 21st century women fear leaving their houses alone? Do they fear wearing clothes they want to wear ? Well I feel that the answer to this is a big YES. In the 21st century, where India is an emerging super power the women are not confident that they will return home safely. But why is it so? Some say that because ‘boys are boys’ and they can do whatever they want to or maybe because the kind of clothes a woman wears instigates men to look at her with those greedy eyes and lay their dirty hands on her? Well NO ! Did that women in a burqa who was raped while going back home in her own car provoke anybody? Or the 5 year old girl who was studying in school provoke her teacher? But boys will be boys who make mistakes. For once forget about the boys, they will defend themselves but when the head of the Mahila Vibhaag (women’s association) says that the mistake lies in the girls, don’t you believe it? I don’t. I think it is time for every girl to take a stand for herself and for every other girl in this world because it is not just India where women are not treated equally, a study conducted in the US in 2012 says that about 14% of women who were fired from their jobs was because the boss wanted something more than a normal boss and employ relationship. Also a study conducted in London in 1998 says that about 33% of divorces happen because the man is not willing to let the wife go out for a job or to pick up the kids because she might just have an affair. It’s also time for every parent stop telling their daughters to wear longer dresses and tell their sons to respect girls  because nobody should be judged by the way they dress. It is said that if a man is educated he will earn bread for the entire family but if a woman is educated then she will make sure that the entire family is educated. To sum up, women empowerment cannot be possible unless women come with and help to self-empower themselves. There is a need to formulate reducing feminized poverty, promoting education of women, and prevention and elimination of violence against women.

children’s picture books

Picture books are intended to demo kids how to deduce pleasance from reading. They fuse humourous secret plans with capturing illustrations in order to keep the attending of the kid. The add-on of images can increase the length of service of a book ‘s involvement ; they are designed to be read over and over once more and therefore the kid needs to be provided with something more than a simplistic plot line. Picture books besides encourage verbal interaction and reading aloud with a parent in order to develop a kid ‘s assurance before the inevitable ‘reading aloud ‘ lessons at school. Verbal sleight is an of import accomplishment to develop and regards literacy. The function of illustrations in this medium is chiefly to supply excess stimulation although, like music and wordss, they each become every bit of import as the other. Some writers are synonymous with illustration manners such as Roald Dahl and Quentin Blake who form a cohesive force in stimulating lit erature for older kids. It is in this very stimulation that the function of image books in the development of literacy can genuinely be seen. Art and literature are effectual signifiers of look, which can be combined to great consequence to better apprehension, and as E.M. Forster pondered â€Å"How can I know what I think until I see what I say? † The resistance to visualize books, a apparently unoffending artistic enterprise to the untrained oculus, is surprisingly fierce. Protheroe ( 1992, p.7 ) considers image books the â€Å"banner at the caput of the present relentless patterned advance towards educational failure† which originated to stamp down the vocabulary of the working categories. She voices concern that by supplying kids with images they are being discouraged to visualize things for themselves ; their imaginativeness is stunted. Yet, a John Vernon Lord explains in his talk, the bulk of his images are born from his imaginativeness instead than from life so how could something so innately inventive dissuade similar idea? In add-on, even with the most apparently basic of image books, such as Rosie's Walk, there is ever something else to add. For illustration, Rosie ‘s Walk, has apparently small secret plan ( it is a affair of pages long and merely accounts a biddy walking through a farmyard ) nevertheless, the images provide a whole new kingdom of possibility for the imaginativeness. Although Rosie does non interact with any other animate beings, she passes several, many of whom witness the trials of the fox. As a kid surveies the images they can contrive reactions and full lives for the sub-characters. The toads are sent winging as the fox muffs and dips into the pool – did the toads think this was ill-mannered? Did the fox apologise? The caprine animal who grazes by the hayhock is seen in the background of a ulterior scene, watching the fox acquire struck by the falling flour – was the caprine animal amused? Concerned for Rosie? Vernon Lord and Burroway demonstrate a acute oculus for item and supply the kid with an chance to believe outside the information with which they are ab initio presented. This is particularly true of a brief narrative like Rosie ‘s Walk as the kid will about surely grow accustomed to the secret plan after several readings and expression for other stimulation in the narrative. In direct contrast to Protheroe ‘s concerns, it seems that images, used skilfully, could in fact promote a higher degree of shrewdness from a kid who would hold long become tired of the few words in Rosie ‘s Walk if it lacked images. However, to assume that a image book may be wholly simplistic or patronize the potency of a kid possibly underestimates the writer. For illustration, in Rosie ‘s Walk, the kid is placed in a senior place of cognition in comparing to the supporter. Hutchins credits the reader as the omniscient being while Rosie remains blissfully incognizant of her chaser. The comedy of this narrative besides provides many degrees. On the surface, there is the authoritative slapstick comedy as the fox collides with a profligate. Slapstick creates the instantaneous temper and entreaties to child-like love of anticing in both kid and grownup. But it is non merely physical comedy. The shutting line â€Å"and got back place safely† creates humour out of anticlimax every bit good as alleviation. The narrative is tenseness built upon tenseness with the consecutive quandaries reminiscent of the subsequent Wile E. Coyote and Roadrunner sketchs created by Warner Brothers in which a famished prairie wolf pursues a fast paced bird with progressively luxuriant stunts in each episode but to no help. However, this construction seems more suited to the image book as even the action of turning the page drives the narrative and dictates a slower gait. The pages serve as a splitter, making little succinct scenes which help construct the beds before the flood tide . The interesting construction is rooted in this integrity of several unsafe scenes married with the shutting line which, like Rosie, seems incognizant that there was of all time any danger. Similarly, John Vernon Lord explains the importance of the coaction between text and image arrangement in his talk sing The Giant Jam Sandwich: †¦ when text and image are depicting the same episode in the narrative I prefer to implement their physical relationship by puting them on the same page wherever possible. The interruptions in the text and the pictural presentation on each page need to follow the natural phases of the plot line. The tempo of the illustrations with the narrative is of the extreme importance†¦ This demonstrates how the narrative, text and image intertwine, congratulating one another in both manner and gait, to make a whole. This will be explored in greater deepness later. The most basic rule of image books is to advance literacy by doing books more appealing to kids. By doing the books non merely visually luring, but by supplying images to help less able readers, literature is made all the more accessible. Cullingford ( 1998, p.12-13 ) recognises that those kids who struggle with reading ab initio can experience like failures at a really immature age which can consequence their relationship with reading for life. They can get down to see literature as sole. By supplying kids with familiar image narratives instead than confusing cuneuss of text, they can slowly construct the foundation for a love of reading which, as their assurance improves, will actuate them to near more â€Å"unreliable† , disputing tomes in ulterior life. Bettina Hurlimann expresses her position that images are the cosmopolitan linguistic communication and therefore embrace all kids irrespective of academic ability or linguistic communication: by optimising handiness kids wi ll hold a healthier relationship with books. Protheroe ( 1992 p.111 ) accepts the premiss of the image book to publicize reading a enjoyable but besides accuses this peculiar avenue of denying the potency of books and linguistic communication by proposing that words merely have one significance. This, nevertheless, seems a small dramatic. Picture books aimed at 0-5 twelvemonth olds larning to read make frequently merely have one significance, any more than that is normally directed at the grownup. For illustration, in The Giant Jam Sandwich the town of Rubing Down is described as â€Å"not a really bristly town† . As they have merely rid themselves of 1000s of WASP, the kid will take that subdivision to intend that the town did non appreciate being overrun by WASP ; they were non pro-wasps. It is improbable that a kid under five would be familiar with the â€Å"petulantly spiteful† definition of bristly but the grownup might deduce some pleasance from the word drama. Hunt ( 1991, p.175 ) accepts and admires the si mpleness of the linguistic communication but feels that â€Å"much of the complexness is expressed by the ocular elements† . He suggests that literary techniques such as metaphor can be much more efficaciously demonstrated through the usage of images although, like Protheroe, he does admit the subsequent hazard that it â€Å"fix [ Es ] words into a restrictive, everyday interpretation† go forthing the kid no room to leave their ain significance onto words ; there is no room for tactic. The Very Hungry Caterpillar by Eric Carle, in which a caterpillar munches his manner through a regular assortment of tasty dainties, chows two pears. The drama on the word â€Å"pair† and â€Å"pear† was about surely non intended for the three twelvemonth old but instead the individual assisting them to read. In add-on, this peculiar volume can be seen to integrate non merely verbal sleight but mathematical and elements of natural scientific discipline. The caterpillar chows an increasing figure of nutrients, which employs basic numeracy, and later transforms into a chrysalis, so into a butterfly as is the natural order. It seems that without images, this might be a difficult construct to explicate to a really immature kid. The vocabulary required with no ocular assistance might be rather burdensome and estranging ( non least due to the word chrysalis! ) and therefore the images make it a more accessible impression. As Hunt ( 1991, p.176 ) competently notes, it allows u s to â€Å"cross the boundary between the verbal and the pre-verbal† . It allows kids to progress in other capable countries at a younger age. However, Protheroe ( 1992, p.74 ) would reason that kids need to larn to get by with â€Å"uncertainty and accept ambiguity† as it allows them to rehearse illation. Hunt ( 1991, p.181 ) seems to experience that there is a happy medium, nevertheless, in which significance is limited but non prescribed. He feels that this is applicable to both images and words as each signifier can be used in a manner which is stilted or one that opens the floodgates of reading and creativeness. As Hunt ( 1991, p. 185 ) attests the â€Å"absence of words would hold provided a ‘gap' which takes intelligence and imaginativeness to fill† every bit would the absence of images ; working together, both serve their intent. Jane Doonan expresses the importance that pictures talk for themselves and non merely reenforce the words and this impression is the thought of the image book versus that of the illustrated narrative. Moebius ( 1986, p.132 ) articulates that â€Å"in the image book, we read the images and text together as the reciprocally complementary narrative of consciousness† with the â€Å"story ‘behind ‘ the image frequently supplied by the illustrator. He expresses certainty that image books are like any signifier of literature: â€Å" [ the construction ] is non inadvertent or causeless phenomena† . Every word and every coppice shot have a intent. Edmund Evans pioneered the entire design of the image book, doing it a individual cohesive mechanism instead than merely some text with some images. This dichotomy can be seen in The Giant Jam Sandwich in which most of the scenes depict the full town. The moral of the narrative is less to make with the nuisance of WASP and more about community spirit and working together. For this ground, John Vernon Lord has ensured that the bulk of the colorful scenes incorporate most of the town, each making their occupation: from the little miss with pigtails heaving one little jar of jam along ; to the adult male crouching, seeking to acquire a exposure of the bread transit for descendants. It is these bantam inside informations that engage the kid clip after clip – every bit good as the grownup. John Vernon Lord criticises his ain work in his talk, nevertheless, claiming â€Å"with hindsight I feel that the color strategy adopted for these images is excessively similar throughout the book† and it is with changeless fluctuation and bustling images that a kid becomes entranced. However, the images do non hold to be busy to be exciting. Rosie ‘s Walk employs apparently simplistic illustrations and, although attending is paid to the background action, the focal point is far more on the fox and the biddy. These two characters are at the head of most of the scenes with the on occasion cameo from characters, such as the caprine animal, who hover in the background. This, like in The Giant Jam Sandwich, mimics the content of the piece which is really self-contained about Rosie ‘s motions. She does non prosecute with the other characters and neither does the text. The manner is besides much more fantastical with the big overdone ears of the fox and the bold usage of coloring material contrasts. The vivacious yellows and pinks clash in the most aesthetically delighting manner which provides ocular stimulation for the kid. They are unusual color combinations, new and challenging. Similarly, the bulblike trees are decorated with apples in regimented lines instead than the natural sporadic sprinkling ; the all right line between faithful readings of familiar images with phantasy has been attractively encapsulated. Furthermore The Sick Cow, by H.E. Todd and Val Biro, follow all the hushed browns of a arcadian Eden. Of the three books, this is the most ‘realistic ‘ in manner as The Giant Jam Sandwich shies from excessively much facial item with the concentration being on big, busy scenes. Biro specializes in item from the pace of the tractor tyres to the mane of the Equus caballus although allows the background leaf to film over into rural repose. Queerly, nevertheless, despite being the most visually ‘naturalistic ‘ , its content is possibly the most irregular covering, as it does, the complaints of a barking cow who is cured by sitting in some nettles. However, in The Sick Cow, although the images attractively capture the provincial scenery, they do basically exemplify the text. There is no sense, as Moebius ( 1986, p.137 ) demands, of the â€Å"unseen over the seen† as with Rosie ‘s Walk. The same could, possibly, be said of The Giant Jam Sandwich ; the di fference being that, in the latter, there is merely lots to see. Fisher ( 2005, p. 192 ) rallies the benefits of exposing kids to images as â€Å"art can assist assimilation by developing perceptual sensitiveness and favoritism through the survey of signifier, coloring material, form and texture† . This suggests that the blurring in The Sick Cow or the plangency of The Giant Jam Sandwich could supply stimulation which specifically develops the academic capacity of the kid. Pat Hutchins, writer of Rosie ‘s Walk, is besides responsible for The House That Sailed Away and I ‘m the King of the Castle: and Other Plaies for Children which are far wordier illustrations of kids ‘s literature, set out as dramas. Blythe ( 2005, p.82 ) notes that promoting kids to joint is important for development every bit vocal experience supports larning by integrating linguistic communication into the ego. Similar encouragement can be seen in the direct address in The Giant Jam Sandwich every bit good as the animate being noises in The Sick Cow. Learning is believed to be received through the senses and therefore books which encourage verbal interaction are good as are image books which engage the ocular sense. In add-on to art and vocal experience, music is considered to be a powerful tool in mental well being and larning showing that stimulation is non restricted to literature entirely. It can be found in a figure of artistic chases. Tame ( 1984 ) lineations Dr. Tartchanoff ‘s scientific surveies into the consequence of music observing that â€Å"music exercises a powerful influence on muscular activity†¦ sounds are dynamogenic† and the pacing of stone music, for illustration, can be damaging to the digestive system. This physical manifestation is seconded by Blythe ( 2005, p. 82 ) who covers the neurological alterations when people sing or speak as a group: †¦ the cardinal nervous system activity becomes synchronal†¦ emphasis endocrines lessening, musculus tenseness decreases, more O enters the system. They feel high ; have a certain lucidity of head and sometimes physical vision†¦ Taking into history the ‘reading aloud together ‘ facet of image books which, harmonizing to this research, stimulates the encephalon for physical wellbeing every bit good as the work on animal acquisition, the image book is potentially an indispensable acquisition tool. Taking this thought farther, the lyrical nature of many image books should besides be noted. For illustration, The Giant Jam Sandwich employs rigorous pair rhyme strategy: †¦ Bap gave the instructions for the devising of the dough. â€Å"Mix the flour from above and yeast from below. Salt from the seaboard, H2O from the spout. Now thump it! Bump it! Bang it about! †¦ Even if this technique is non straight mentioned to the kid, it is transfusing cognition of beat into their subconscious. This could act upon a love of music which, harmonizing to Dr. Tartchanoff, could be good – depending on the genre. If it developed into a passion for group singing so Blythe surely notes the increased potency for acquisition, modeling the head to a relaxed province of peace and preparedness. If nil else, the poetry makes the narrative flow and engages the senses – which kid would non bask fall ining in with those jussive moods? In the chase of animal stimulation, The Very Hungry Caterpillar can be seen to assail the ocular sense and that of touch. The thick pages display the holes through which the caterpillar has eaten. The kid can jab fingers through the spread and experience as if the narrative is unknoting before their eyes. This is a really tame illustration compared to the modern books which employ sound effects and downy spots. Where does it stop? Books on which the kid can hold a nibble? Possibly the sight of reading itself is being lost in favor of instant satisfaction as is the nature of our society. One must oppugn if this affairs every bit long as kids are being engaged in literature in some manner. And whose face did non light up at the sight of a pop-up book? Making larning merriment and interactive is no new phenomena and should non needfully be seen as endangering. Peter Hollindale ( 1997, p.75 ) has faith that â€Å"children take from a narrative what they want and need† so possibly our changeless use of animal stimulation is ineffectual. Some kids may merely be predisposed to reading and others non regardless of whether books have images. It may merely be a instance of fostering bing endowment by orienting larning to the demands of the single kid. Protheroe ( 1992, p.48-49 ) has farther concerns that image books can be damaging to the development of a kid ‘s memory. She argues that it has â€Å"long been established that in human linguistic communication lexical use involves a nexus between a symbol and a construct, non a symbol and referent† ( p.73 ) . She cites that Bower and Winzenz conducted trials which linked memory to active find and word picture. Although there is a school of idea which rejects the thought that image books stunt imaginativeness, Bower and Winzenz ‘s findings can non be dismissed. Picture books work on the rule of memory association. One of the purposes, every bit good as general stimulation, is to supply the kid with a word and an image which they can associate in their encephalon so that the word and its significance will be easier to retain. Bower and Winzenz suggest that by striping the kid the personal image creative activity, the nexus with their memory will be broken. Word and image association is a common manner to beef up memory keeping as is repeat or the usage of active imaginativeness: using a personal image to what the word signifies to you. There are many recommended alteration techniques because memory plants otherwise from individual to individual and therefore Protheroe may be right in some instances but it seems prudent to presume that image association will besides assist some kids when larning to read. After such drawn-out treatment about the importance of stimulating and progressing the cognition of a kid comes Alfred Adler ( 1998, p.181 ) and his sentiment to encompass the simpleness of kids ‘s books. He recognises that to seek and speed up the acquisition of a kid at a immature age can be counter-productive: â€Å"All mentally indigestible mush ought to be kept out of kids ‘s reading until they have reached a certain age of adulthood. Unsuitable literature may either be misunderstood, or it may restrict developing societal interest† . While Protheroe flies the flag for reading, Adler highlights the possible booby traps of such a stance: the hazard of misconstruing taking to fear or disaffection. And possibly Adler high spots an interesting point about the aging procedure. Betty Friedan ( 1993, p. 50 & A ; p.74 ) explains that societal research has indicated that those who show the most doggedness in keeping on to the values they developed in childhood were mos t susceptible to mental instability later in life. This links with Freud ‘s theories of the importance of childhood and the in which people develop much of their personality really quickly in childhood and subsequent alterations in maturity are frequently no more than superficial. By rushing up this procedure even more by showing kids with progressively complex literature before they have reached that â€Å"certain age of maturity† that Adler alludes to, kids might develop excessively rapidly before they are ready to understand the branchings therefore seting them in a vulnerable psychological place in their grownup old ages. Conversely, if Freud ‘s theories about the importance of childhood development are to be subscribed to, it would besides be unsafe to stunt a child's cognition and understanding at such a important clip in their psychological growing. As Moebius ( 1986 ) notes, the image book should be preserved as â€Å"the last frontier of innocence† and, as such, should non be corrupted by being held under inordinate examination. In the chase of literacy the importance of stimulation must be stressed. An active encephalon will advance literacy or, at least, a thirst for instruction whether that is artistic, mathematical or scientific. Literacy is achieved through developing kids with a healthy relationship with books, whether they grow up to read Crime and Punishment or with a preference for Mills and Boone ; to implement a literary hierarchy would be a presentation of snobbism and artistic ignorance. Literacy is independent from the literary canon. Denying kids colorful images besides seems to propose that ocular art is non every bit valuable as literature which is likewise imbalanced. Children should larn that art is about equality and, although they can encompass their preferable medium, they should non dismiss other signifiers of look or see them inadequate. Uniting literature with images demonstrates the manner in which art signifiers can efficaciously interact. Art signifiers are non sole. Furthermore, if employing images to capture a kid besides inexplicably entwines their head with the text so, what is the injury? Many grownups reserve a particular topographic point in their Black Marias for their childhood front-runners: from Noddy to The Very Jolly Postman ; from The Mr. Men books to The Velvetine Rabbit: their love of reading may be pinpointed to these really personal businesss. It seems unjust to deny immature readers of today these warm, fuzzed memories of bright amusing images and exciting colorss for fright of patronizing them. Children should be allowed to be kids before the age of five instead than invariably forcing them to develop more quickly – if they are ready to progress so that could be nurtured on an single footing. The fact is, with kids, with people even, the manner in which a head works varies from individual to individual so it seems ineffectual to order an overall right or incorrect on image books. The matrimony of text and images will trip the imaginativeness of some kids while others will deduce stimulation from building clay pies in the garden. Modern kids shoul d non be robbed of the colors of artlessness ; even if the modern colors of artlessness come in the signifier of The Tweenies.

Ebook Operations Management Essay

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Personal&Professional Development Essay Example | Topics and Well Written Essays - 1000 words

Personal&Professional Development - Essay Example I should not wait for a prompt to do action. I should be able to initiate it especially if I want my team to do the same. Creating an action plan for both myself and for my team will clearly guide everyone of the expected outcomes and there is no excuse to just wait for the others and waste time. As a manager, I should be aware not only of my own learning style but that of my team members’ so we can figure out a way to work together better. Learning Style (Honey & Mumford 1986) Reflective Practice (Schon 1983) Stages of Reflection (Moon 1999) Interpersonal Interaction Managing Conflicts I come from a very peace-loving family. We get to resolve our personal issues quickly. However, stepping into the real world entails knowing how to adapt to various personalities and being able to manage the conflicts that may inevitably crop up. I am inconsistent in my competence in handling conflicts, and that depends on the gravity of the issue and the strength of the personalities and the p ositions of the people involved. A manager needs know how to establish and maintain harmonious relationships with diverse people and groups. He possesses high emotional intelligence, maturity and understanding of people coming from various backgrounds and temperaments. To quote Buckingham & Coffman (1999) again, â€Å"The key to excellent performance, of course, is finding the match between your talents and your role.† A manager should know how to blend the talents and personalities of his team. Mastering such combinations will result in excellent performance of the whole team. Styles of Managing Interpersonal Conflict (Ruble & Thomas 1976) First, break all the rules: What the world's greatest managers do differently. (Buckingham & Coffman, 1999) Strategies and techniques for self-development Reflective Thinking From my youth, I have come to value self-introspection. I always analyze the things I have done, have said and have felt and thought to be lessons for me to learn fro m. This greatly helps me in my next moves. Most of the time when I do reflect on my actions, I come up with the right outcomes. As for my weaknesses, I need to keep reflecting on my performance to know where I need improvement on. My self-evaluation will help me identify these weaknesses and turn them into strengths. I know I am continuously evolving, and self-actualization is my goal. I need to be able to encourage my team members to likewise be more reflective in their tasks as this leads to good planning and foresight necessary in accomplishing goals successfully. Reflective Practice (Schon 1983) Stages of Reflection (Moon 1999) Learning Cycle (Kolb 1984) Personal leadership approaches Empowerment I am known to be an encourager and people have told me I have the ability to bring out the best in them. This may be due to the positive disposition I have that I mostly focus on the goodness and the potentials of people instead of their flaws. I, myself would want to be led by someone who inspires me to be better and not to settle for mediocrity. I believe that a manager should be an enabler. He sees the potentials of the people under him and harnesses their strengths. People may manifest varying degrees of greatness. The manager sees

Law of International Sales and Finance Essay Example | Topics and Well Written Essays - 3000 words

Law of International Sales and Finance - Essay Example In international sales, however, several applicable laws co-exist creating several standards that determine whether or not a valid acceptance was made. The United Nations Convention on Contracts for the International Sale of Goods (CISG), or the Vienna Convention, and Domestic Common Law are examples. Their applicability illustrates what Michael Bridge refers to as the "'bifocal' world of international sales law," where the broad provisions of the Vienna Convention and the details found in Common law are applied depending on the type of transaction being conducted2. Hence, it is crucial for contracting parties to understand the applicability of each in particular cases, as well as the differences and similarities embodied, to determine if a contract is duly enforceable or not. Since an acceptance of an offer indicates an offeree's assent to the terms of the offer and be bound by a contract, a set of established rules of acceptance are crucial in determining whether an acceptance is effective or not. First, a valid acceptance must be unqualified and without modifications or conditions of the offer. This is illustrated in Masters v. Cameron (1954) 91 C.L.R. 353, where in the case of a conditional offer, it was held that the use of the words "subject to contract" in the formation of the contract is "prima facie [to] create an overriding condition, so that what has been agreed upon must be regarded as the intended basis for a future contract and not as constituting a contract"3. With regard to counter-offers, Livingstone v. Evans (1925) 4 D.L.R. 769 states that "[i]f an acceptance does not mirror the offer, then it is ought to be construed as counter-offer4" and is considered as a rejection of the original offer. Second, acceptance must be communicated by the offeree to the offeror, where actual communication exists. Hence, silence or inactivity does not embody acceptance5. The case of Felthouse v. Bindley (1862) 11 C.B. (N.S.) 869 illustrates this point. However, acceptance can also expressed based on a party's conduct. In St. John Tug Boat Co. v. Irving Refinery Ltd. (1964) S.C.R. 614, although no acceptance was communicated, it was held that if a man's conduct indicates acceptance to an offer, "the man thus conducting himself would be equally bound as if he intended6." As illustrated in Powell v. Lee (1908) 99 LT 284, acceptance must also come from the offeree himself, or a person authorized by the offeree to accept the offer7. The manner in which an acceptance is communicated must also be given consideration. In this regard, Eliason v. Henshaw [1819] US SC, concludes that acceptance of an offer must be communicated "according to the terms in which the offer was made" such that "[a]ny qualification of, or departure from, those terms, invalidates the offer8." Offerees are therefore bound to abide by the stipulations of the offeror in terms of deadline for acceptance, method of acceptance, and the like. In Tallerman & Co. Pty. Ltd. V. Nathan's Merchandise Pty. Ltd. (1957) 98 CLR 93, the date and time that an acceptance is communicated and becomes effective is also the date and time that a contract is formed9. However, since offers are revocable10, and an offer is only effective until a time specified by the offeror or

How would you explain the popularity of the cakewalk in the late Essay

How would you explain the popularity of the cakewalk in the late nineteenth-century United States - Essay Example This kind of song and dance competition took place among the slaves in the southern part of the US mainly before the emancipation but it is needless to say that even after emancipation the dance and song style did not die off. This paper seeks to explain the popularity of the cakewalk in the late nineteenth-century United States. Most of the facts of cakewalk dance and song were not extensively documented as at 1981. However, there existed a myriad of accounts about the dance. Brooke Baldwin in his 1981 articles (in the Journal of Social History) the Cakewalk: a Study in Stereotype and Reality submitted a nearly complete compilation of the already existing accounts of the dance (Baldwin, 1981: pp203-212). The compilation was, to larger part, accounts of the eye witnesses of the dance. These eye witnesses were the ex-slaves who may have also took part in the dance. The accounts by the Virginia and Georgia ex-slaves had already been verified by the WPA researchers in the 1930s. Baldwin clearly notes in his article that after the 1930 WPA research, it became immensely difficult to hide the happier side of slavery (Baldwin, 1981: pp207). One of the respondent recalled how she used to sing the songs and cakewalk. She also added how cakewalk was indeed fun among the slaves during the slavery times. According to this specific respondent, the women wore long dresses which were often ruffled and the men wore not only high hats but split tailed coats. They sometimes used walking sticks during the dance. The dance was done in couples and the couple that danced the best would receive the prize. It is interesting to note that the white slave owners would attend the cakewalk dances and they enjoyed a lot watching the slaves dance. Actually, the slave owners decided the winning couple. This account was a first hand account from a former slave in Virginia. Besides the first hand accounts, Baldwin also

Diversity Leadership in IHRM Essay Example | Topics and Well Written Essays - 2750 words

Diversity Leadership in IHRM - Essay Example This research will begin with the statement that diversity is often referred to as the differences between the individuals. The dissimilarities among individuals materialize in both nonvisible and visible aspects. Some of the key examples of diversity among the individuals are dissimilarities in gender, age, skills, sexual preferences, learning styles, tenure, etc. These differences are evident the workplace but at times the differences are not visible. â€Å"Excellence through diversity is one of the Chancellor's goals†, yet this term is often faced confusion, controversy, and tension. Regarding this aspect, scholars such as Griffin emphasizes managing diversity in the firm offers various advantages and the most common one emerges in the form of catering to the diversified base of customers. However, contradicting this statement another set of scholars such as Inyang and Akpama and Kiggundu believes that although managing a diverse workforce provide benefits to a firm, but it requires strong management and failure to which can lead to intergroup conflicts. Hence, it is obvious that firms planning to recruit diverse employee group must a good frame management system. In this rapidly changing workplace environment, maintaining a diverse workforce helps a company to remain competitive in the marketplace. Scholars such as Inyang emphasizes that diversity not only brings fresh perspectives to the company but also promotes innovation and equips the company with the ability to solve complex problems. Furthermore, having a diverse workforce also allows a firm to have an efficient workforce, which is a necessity in this diverse business setting. Executives who are having intercultural management skills have high demand as they have the ability to constantly adapt to this shifting trend of a marketplace.